Dear Friends of the Glass House,
The Glass House is approaching the end of an exciting season with the introduction of many new programs, part of a strategic initiative I like to refer to as Glass House 2.0. The Glass House of Philip Johnson and David Whitney was known as “the most sustained cultural salon the United States has ever seen.” Glass House 1.0 represented the first five years of the house’s public life as a National Trust Historic Site and house museum. Glass House 2.0 aims to recapture the site’s earlier legacy as a unique cultural center, a laboratory for the presentation of new works and ideas.
This year we launched an exhibitions program with two shows: Frank Stella: Scarlatti Kirkpatrick and Night (1947-2015) and welcomed over 13,000 visitors to the site. We also inaugurated a fresh flowers program, bringing new life to the interior of the Glass House. In the coming seasons, we will develop more ambitious projects, and are currently exploring new programs and activities that will strengthen the liveliness and relevance of our special site. Educational programs continue to take center stage, as we host monthly Conversations in Context, Glass House Conversations, and think tanks both on site and in the field, including our first participation in this year’s Venice Architecture Biennale. In time, we hope to add site-specific initiatives including residency programs, performances, and scholarly and community gatherings.
In addition to urgent needs, we are still working to raise funds to restore the Brick House, which has remained closed for the last five years, as well as make necessary repairs to the Sculpture Gallery roof. The Glass House is a preservation-based organization, and its 14 buildings, world-class art collection and 49-acre landscape demand ongoing maintenance.
To maintain our role as an important cultural asset and site of international significance, we need your support. Please help with a generous year-end donation. We welcome your support at every level.
If you would like to speak to a Glass House representative about your donation, please contact Scott Drevnig, Director of Development, at 203-594-9884 x33335, or sdrevnig@savingplaces.org.
As a thank you for a donation of $2,500 or more, we are pleased to send you a signed copy of the James Welling: Glass House hardcover book. This book features mesmerizing images by one of the world’s eminent photographers.
We have an exciting new year in the works, filled with a vibrant and diverse range of exhibitions and programming. Thank you in advance for your care and support of the Glass House. We have a special place and an incredible team serving as its stewards.
Warm regards,
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Henry Urbach
Director
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Filed under: About The Philip Johnson Glass House, Conversations in Context, Educational Partnership, Exhibitions, Glass House Conversations, In the News, Message from the Director, Preservation in Action, Tours + Programs, Brick House, Conversations in Context, David Whitney, Frank Stella, fresh flowers, Glass House 2.0, Glass House Conversations, Henry Urbach, James Welling, National Trust Historic Site, Philip Johnson, Preservation, Scott Drevnig, Sculpture Gallery, The Glass House, Venice Architecture Biennale


Dear Friends,


Cultural Experiences in Person
s Together: This fall marks our fourth year working with the New Canaan High School students and their teachers. This year’s projects included landscape photography and oral history films featuring local notable architects John Black Lee, John Johansen, and Fred Noyes speaking about his father, Eliot Noyes. These projects bring generations together to explore the essential history of New Canaan and Modernism. All of the student-produced oral histories and many of their photographs 
As an additional thank you for your donation of $1,000 or more, we will send you a copy of the just published, limited edition Library of Philip Johnson. Written by Birch Cooper and Jordan Hruska, this beautifully illustrated book examines 100 titles from the architect’s Library/Study located at the Glass House site and features an introduction by Architect Robert A. M. Stern, textual analyses and 350 photographs. 














